مــواقــيــت الــصــلاة

(حسب توقيت دبي)
الفجر
5:17 ص
الظهر
12:32 م
العصر
3:54 م
المغرب
6:28 م
العشاء
7:42 م

أحـــــدث البرامـــــج

عن الإذاعة
الرسالة:

نشر كتاب الله مسموعا ليبقى كما هو قرآنا يتلى في كل وقت وزمان بتلاوات مميزة وموثوقة ونشر سنة المصطفى عليه الصلاة والسلام

الرؤية:

أن تكون إذاعة دبي للقرآن الكريم ،الاذاعة الأولى في خدمة كتاب الله

الاهداف:
  • بث القران الكريم مسموعا على مدار الساعة.
  • العناية بعلوم القران الكريم وتفسيره وايصالها لكل مستمع.
  • نشر كتاب الله في شكل تسجيلات صوتية موثوقة ومعتمدة.
  • تعزيز دور الدين في المجتمع من خلال أئمه معتمدين وموثوقين
  • أرشفة وحفظ افضل تلاوات القران الكريم لقراء العالم الاسلامي والعربي والقراء المواطنين.
  • الحفاظ على كتاب الله كمصدر من مصادر ومراجع الحفاظ على لغتنا العربية .
  • العمل على تنمية المواهب المحلية الوطنية من حفاظ كتاب الله وتبنيهم ودعمهم.

Jur153mp4 Full Here

The clip accelerated. Names appeared and blurred, every life reduced to, and then rescued from, metadata. Voices—old recordings, perhaps—answered questions the camera didn't ask. "Why keep this?" one voice said. "Because forgetfulness is the slowest cruelty," another replied. The audio was layered: laughter folded into sobs, a baby's cry underneath the rustle of paper. The file wasn't just storing data; it was insisting on dignity.

The file ended with a menu overlay: Preserve | Release | Erase. The cursor blinked like a pulse.

She chose Preserve.

Mara watched for the first time as it catalogued loss: a father’s watch stopped at 2:17, a wedding band engraved with a different name, a passport marked revoked. But it did not list crimes or verdicts. Instead, it recited fragments of lives: apprentice to a tailor, liked black tea, counted spoons before bed. Jurisdiction 153—if that was what JUR meant—had once been tasked not with assigning guilt but with collecting the human residue left by legal processes. The file stitched identity where bureaucracy had torn it.

Occasionally, visitors complained: what authority did this archive have? Could memory be trusted? Mara answered, in a short, italicized line beneath the player: We are not the law. We are the memory the law forgot.

The clip accelerated. Names appeared and blurred, every life reduced to, and then rescued from, metadata. Voices—old recordings, perhaps—answered questions the camera didn't ask. "Why keep this?" one voice said. "Because forgetfulness is the slowest cruelty," another replied. The audio was layered: laughter folded into sobs, a baby's cry underneath the rustle of paper. The file wasn't just storing data; it was insisting on dignity.

The file ended with a menu overlay: Preserve | Release | Erase. The cursor blinked like a pulse.

She chose Preserve.

Mara watched for the first time as it catalogued loss: a father’s watch stopped at 2:17, a wedding band engraved with a different name, a passport marked revoked. But it did not list crimes or verdicts. Instead, it recited fragments of lives: apprentice to a tailor, liked black tea, counted spoons before bed. Jurisdiction 153—if that was what JUR meant—had once been tasked not with assigning guilt but with collecting the human residue left by legal processes. The file stitched identity where bureaucracy had torn it.

Occasionally, visitors complained: what authority did this archive have? Could memory be trusted? Mara answered, in a short, italicized line beneath the player: We are not the law. We are the memory the law forgot.

تواصــــــــــل معنــــــــــا